Cosmos Nocturnes

IV: Floating World

A global pandemic wreaks havoc on our foundations and erodes our sense of stability. In this series (named after Japanese ukiyo-e prints), beloved domestic items have somehow become unmoored, from teacups and portraits to jewels and toy robots.

III: The Garment

The drama in these collections of paper cutouts unfolds against the backdrop of the night sky. Each begins with a photograph from the Hubble Telescope. An actor is present on stage, though the identity is unknown. The head has been cut out. Cosmic winds from churning galaxies propel the detritus of daily life into the scenes, as curtains are blown back and gold frames swing into view. All manner of hats make an appearance, seeking an appropriate place to land.

II: Invited Guests

Characters from well known painters in western art history (Botticelli, Watteau, Murillo . . . ) are cast into this collection of meditations on the night sky. I had just completed Cosmos Nocturnes I when I was compelled to admit humans back inside the frame. Eighteen years had passed since they were intentionally banned, in order to focus on the elemental dance of light, color, shape, form, and texture. Whether summoned by the cosmic vistas or our unprecedented global crisis, these actors engage with us across time and space, participants in the unfolding drama.

I: Sitting Room

In my first series of Cosmos Nocturnes, seating arrangements have been provided, inviting the viewer to rest comfortably and take in the view.